Navaratri – An Ode to Our Goddesses
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"Sarva mangala maangalye Shive sarvaartha
Sharanye Tryambake Gauri Naaraayani
You are the all-auspicious Shivaa, the Shakti
aspect. You grant all my wishes. O
Triyambake, the Three-eyed one, you are also
Gauri, the fair One and Naraayani, Vishnu's
Sister. I humbly bow at your Lotus Feet.
India is a land of many religions, cultures, and Buy this Poster
hence, many festivals too. Among these, the CELEBRATIONS OF A HINDU FESTIVAL
Hindu culture is probably the most diverse,
encompassing several crores of Gods and Goddesses, their legends, epic tales and folklore.
Along with that come many festivals associated with these deities. Notable among Hindu
festivals is Navratri, a major, very colourful, ten-day festival.
Navratri is a unique festival which includes ritual worship, dance and music. The word
"Navratri" comes from the terms "Nava", meaning, "Nine" and "Ratri", meaning "Nights".
The festival, which goes on for a period of nine nights and ten days, ends with the Dusshera
or the Vijayadashami, on the tenth day. The nine forms of the Mother Goddess, Shakti/Devi,
are worshipped during these ten days.
Yet another aspect unique to Navratri is that it differs in significance in the different
provinces of India and is celebrated in different ways all across the length and breadth of
India. Let us now go into the details of the significance of this wonderful festival.
Significance of Navratri
Both the start of spring and the start of autumn are considered very auspicious and important
intersections of solar and climatic influences. Hindus worship the Divine Mother Goddess
during these periods in time. The dates of these festivals are decided as per the Hindu
almanac. The tenth day of the Navratri festival, which is also referred to as the
Vijayadashami, signifies the culmination of the colourful festival. The various aspects of Sri
Mahishasura Mardhini (Devi Durga) are worshipped throughout all these ten days.
Various Navratri traditions
There are actually five different Navratris dedicated to the worship of Goddess Shakti in all
her aspects. Out of these, only three traditions of Navratri are most popularly upheld today.
1. Sharad Navratri
The Sharad Navratri, which is considered the prime Navratri, is also simply referred to as
Navratri and sometimes, Maha Navratri (the Great Navratri). As the name suggests, the
Sharad Navratri is celebrated during the Sharad Ritu, or the commencement of the winter
season. This festival usually comes during September-October period. This year (2009), the
Navratri festival commences on September 19 and concludes with the Vijayadashami on the
28th of September.
This Navratri commences on the first day and ends on the tenth day of the bright half of the
lunar month of Aswayuja/Ashwin. According to the Dhaumya-vachana, 'The Navaratri
festival has to be celebrated during the bright fortnight of the month of Asvina, in the order of
pratipada, etc, until the navami ends.' This festival is celebrated with great fervour and
devotion, commemorating the slaying of the mighty Mahishasura by Goddess Durga. This
festival is celebrated in most parts of India, in fact, in almost all parts of the country.
2. Vasant Navratri
This type of Navratri is celebrated during the Vasant Ritu, or during the start of
spring/summer, in the month of March/April. This festival, also known as Chaitra Navratri,
falls during the lunar month of Chitra and is mostly celebrated in North India. The famous
Vaishno Devi temple in Jammu celebrates Navratri during this time.
3. Ashaada Navratri
This variety of Navratri is most auspicious for all Varahi Upasakas (devotees of Devi Varahi,
yet another aspect of the Goddess, who took an avatar to slay the powerful demon,
Pandasura). Varahi, a rather dark deity, is also one among the seven mighty Matrikas of
Hindu Tantra Shastra. This Navratri is observed in July-August. This Navratri is also known
as Guhya Navratri in Himachal Pradesh.
The Navadurga - the nine forms of Devi Shakti
Hindus worship nine forms of Shakti during the
Navratri festival. The Puja Vidhis (types of prayers and
offerings) largely depend on the tradition and culture
of that particular province. The Navadurgas include the
following Sacred Feminine Energies:
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Maa Durga, the inaccessible one or the invincible one, is
believed to be the "one who can redeem in situations of
utmost distress". The supremely radiant Mother Goddess is
portrayed as having ten arms, riding a lion or tiger, holding
several weapons like Shiva's Trident, Rama's bow, Vishnu's
Conch and Discus, Indra's Vajra (lightning bolt) and
Kubera's mace. She additionally holds a Kamandalu (water
pot) given to her by Brahma and a lotus flower. She wears
a meditative smile and practices Mudras or symbolic hand
A complete embodiment of the Sacred Feminine, Durga is
forever in a state of svaatantrya (self sufficient;
independent of all other things in the Universe). Hindu
philosophy considers the Warrior Goddess Durga as an
aspect of Kali. She undertakes a severe Vrata (penance) for Buy this Statue
nine days and on the tenth, she faces the terrible
TEN HANDED DURGA
Mahishasura, the demon who could turn himself into a man
or buffalo at will.
When the Devas realized that they would be no match for the Asura's strength, they approach
the Devi, who then manifests as Durga, taking her strength from the combined energies of all
the Gods mentioned above. Durga slayed Mahisha and hence, is known as Mahishasura
Devi Bhadrakali (or the "Beautiful Kali") is worshipped
in Kerala and is one aspect of Goddess Kali. This consort
of Virabhadra, it is believed, was born out of the Devi
Sati's anger when her husband, Shiva, was insulted by her
father, Daksha, during the Ashwamedha Yagna.
Kali is a terrible aspect of Devi and is shown having
blue-colored skin, with three eyes and four, twelve or
eighteen hands. Flames emanate from her head and she
has deep fangs protruding from her mouth. She is often
portrayed with a garland of skulls around her neck,
holding a severed human head in her hands, with her
tongue hanging out. Kodavas and Nairs mainly worship
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Amba or Jagadamba
Amba or Jagadamba, yet another of the Devi's aspects, is venerated as the Mother of the
Universe, who immediately protects those who come to her for succor.
Devi Annapurna, the literal meaning of which is "Full of
Food", is also considered to be the Goddess of Harvests,
fertility and agriculture. This Goddess of Kashi (now,
Varanasi) is symbolic of One who grants complete
nourishment. Legend has it that she once even gave
bhiksha (alms) to her own consort, Lord Shiva.
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Sarvamangala literally means "the One who gives all auspiciousness and joy". This aspect of
the Devi is venerated as the Bestower of all good, all prosperity and all happiness.
Bhairavi is the terrible consort of the Wrathful Bhairava, an aspect of Shiva. Almost
indistinguishable from Kali, Bhairavi is associated with Kaal Ratri (literally, "black night of
destruction"), a dark force, often identified with Kali. Bhairavi is also associated with the
Mahapralaya, the great dissolution of the universe at the conclusion of each cosmic cycle.
Bhairavi is also called Shubamkari, the Mother to the Good People and the Terrible One to
the bad ones. In the battlefield, she kills the terrible asuras (demons), Chanda and Munda, and
drinks their blood. Hence, she is also referred to as Chamundeshwari. Though associated with
destruction, Bhairavi is portrayed as a young, beautiful Goddess.
Chandi or Chandika
Chandi or Chandika, is also known as Durga Sapthashati. Chandi is believed to be a
combination of Mahakali, Maha Lakshmi and Maha Saraswati. The Murti Rahasya hails her
as Ashtadasa Bhuja Maha Lakshmi (the Lakshmi with eighteen arms), bearing weapons.
While the Devi Mahatmya (a Hindu text, which describes the true power of the Mother
Goddess, Durga) gives the origin of the Goddess in the second chapter, some other scriptures
portray her as an "assistant" to Kali; helping her in her battle with the demon, Raktabija. He
was an asura who had a boon of generating a duplicate of himself from each drop of blood he
shed in the battlefield. When Kali was busy drinking his blood, Chandi destroyed the many
several demons created from his blood, before finally killing Raktabija himself.
Lalita (the 'She' Who Plays), who is also called Tripura Sundari, Rajarajeshwari and
Shodashi, is one of the group of ten Goddesses in Hindu tradition, which is collectively
known as the Mahavidyas. The other nine Mahavidyas are Tara, Bhuvaneshwari, Kali,
Bhairavi, Dhumavati, Chhinnamasta, Bagalamukhi, Kamalatmika and Matangi.
Sri Vidya fiercely guards the panchadashakshari mantra vidya. As the Lalita Sahasranama
says, "Na shathaya na dushtaya na vishwasaya karhichith sri mathra bhakti yuktaya sri vidya
raja vediney", which means, that the vidya or divine knowledge should be bestowed only on
someone truly deserving, as this is the king of all vidyas. It should not be given away
arbitrarily to the wicked or sinful. Lalita holds in her hands five flower arrows, bow, goad and
noose. Lalita is described as being very attractive, sensuous and also erotically inclined.
Bhawani is again a powerful aspect of the Devi. Her
name literally means, "The Giver of life", and so, she is
considered to be the very source of all creative energy.
This aspect of Parvati is vastly worshipped in
Maharashtra. She was said to be the guiding force
behind Shivaji Maharaj, the Maratha leader, to whom
she even presented a sword.
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Mookambika prominently features in the states of Kerala and Karnataka. It is said that Adi
Shankara himself installed her idol at the temple in Kollur, about 12 centuries ago. The
Mookambika Devi is revered as one of the most powerful goddesses. The Temple of
Mookambika is considered to be one of the "Seven Muktisthala" sites. Devi Mookambika is
also worshipped for developing better learning abilities and to beget knowledge.
Each day of the Navratri is dedicated to the Puja one particular aspect of the Devi, as
1. The first day is the day of Kalash Puja or the Ghatasthapana. This is also the day of
the Shailaputri Puja.
2. The second day is the Preeti Dwitiya, which includes the Brahmacharini Puja
3. The third day is the day for Chandrakanta Puja or Chandraghanta Puja
4. The fourth day is for the Kushmanda Puja
5. On the fifth day, the Lalita Panchami, the Skandamata Puja is performed
6. Katyayani Puja is performed on the sixth day, the Maha Shashti or the Durga Shashti
7. The seventh day of the Navratri is known as the Durga Saptami or Maha Saptami and
includes the Kaalratri Puja
8. On the eighth day or the Maha Ashtami, the Mahagauri Puja is performed. It is also
called Durgashtami Puja or Veerashtami Puja
9. The ninth day is the Mahanavami or the Maharnavami and includes the Siddhidatri
Puja, also called the Durga Navami Puja
10.The tenth and final day of Navratri is the Vijaya Dashami or the Dusshera. On this
day the Shami Puja or Aparajitha Puja is performed
The festival of Navratri is split into three sets of three days each, each set being assigned to
the worship of different aspects of the Supreme Mother Goddess.
The first three days
The power of Goddess Durga is worshipped on the
first three days of Navratri. This is done in order to
attain spiritual power, which would destroy the
devotee's impurities and dissolve all his sins.
On the very first day of Navratri, a tiny bed of mud
is prepared in the puja room and some barley seeds
are sown therein. By the tenth day, the seeds sprout
to about 3-5 inches long shoots. These little sprouts
are then pulled out and given to all devotees as a
blessing from the Goddess.
The forms of Durga, including Kumari, Parvati and
Kali are prayed to during this time. They represent
the three stages of womanhood respectively,
namely, childhood, youth and womanhood. Buy this Poster
PARVATI WITH HER SON GANESHA
The second set of three days
Goddess Lakshmi is paid obeisance on the
fourth, fifth and sixth days of Navratri.
Lakshmi, the Goddess of Wealth, is
considered to be the giver of both spiritual
and material wealth, peace, prosperity and
ultimately, bliss. Lakshmi is also said to
bestow fame and all types of good fortune on
all her devotees. Hence, the Lakshmi Puja is
one of the most auspicious rituals performed
Many people also conduct elaborate homas
(fire rituals) to please and appease the
Goddess of Wealth. This is also followed by
offering food to all the devotees attending the
homa. This ritual is particularly auspicious
during the Navratri period.
The fifth day, commonly referred to as Lalita
Panchami is yet another very auspicious day.
Buy this Painting On this day, children place their books and
LAKSHMI study materials in front of Goddess
Saraswati's idol, light the holy lamp and
prostrate before the Goddess. This day is also considered vishesha (important) for artisans
and artists, who plays all their tools and beseech the Deity, seeking her benediction.
The final three days of Navratri
The last three days of the festival are spent in the worship of Goddess Saraswati, the Goddess
of Knowledge and Learning. It is believed that Ma Saraswati's wisdom would free devotees
from their material bondage and lead them on a path towards spirituality.
On the eighth and ninth days of this festival, various yagnas (sacrificial rituals) are performed
so as to give a fitting farewell to the Mother Goddesses. Ghee or clarified butter, kheer or
paayas (rice and sugar cooked in condensed milk) and sesame seeds are offered in the yagna's
agni (holy fire), along with mantras (chants).
The ninth day - the Saraswati Puja and the Mahanavami
The ninth day is the Saraswati Puja. It is believed that Goddess
Saraswati rests on this day, and so, all students, artisans and
artists lay down their books and tools in front of the Goddess. In
spiritual terms, this ritual is carried out in order to remain in
complete contemplation of the Sacred Feminine Energy called
Saraswati and gain spiritual wealth from her.
The ninth day also marks the Mahanavami, when the Kanya
Puja is performed. Nine young girls, who have still not attained
puberty, are invited to attend the function. These girls represent
the nine forms of Goddess Durga. Women wash and wipe the
girls' feet and offer them various gifts and new clothes. This
ritual is performed almost throughout India.
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The ninth day of Navratri is also the day of the Ayudha Puja. This ritual is especially vital to
Maharashtrians. Like the traditional Saraswati Puja, the Ayudha Puja too involves
worshipping all implements one uses for one's livelihood. This is done so that the seeker
learns to see the Divine in all his tools as well, so as to motivate him to do better in his work
and surrender his work at the feet of the Goddess, treating it as an offer to the Mother.
In Indian culture, it is common practice to prostrate before one's tools each day, as a mark of
respect to those very tools that help the seeker earn his daily bread. No other work or study is
normally undertaken on the day of the Ayudha Puja.
The tenth day, Vijayadashami or the Dusshera
The tenth day is the Vijayadashami or the Dusshera. This day marks the culmination of the
Navratri festival. While artists and artisans bow down before the Goddess and take to their
work yet again. Artists and artisans prostrate in front of their tools and take up regular
practice yet again, while students respectfully put their books to their eyes and then start
studying as usual.
Students also visit their teachers on this day and pay their respects to them. This is done as a
mark of gratitude to the teacher, for having taken the trouble to teach them their subject.
What makes Vijayadashami unique
As the name, 'Vijayadashami', suggests, this is an auspicious day for beginning anything new,
be it academics, art, skill or work. This is the reason why Vijayadashami is also termed as
Vidyarambham. "Vidyarambham" is a combination of "vidya" (knowledge) and
"arambham" (commencement), thereby literally meaning, "starting the process of acquiring
The unique thing about Vijayadashami is that every minute of this day is a 'Shubha Muhurat',
meaning, the day is entirely auspicious. One does not have to be limited by Rahu Kaalam.
The Rahu Kaalam occurs for a period of one and half hours every day, the timing varying
each day of the week. This is considered an inauspicious time to start anything new, so people
generally avoid undertaking auspicious activities during this time.
On Vijayadashami day, one is not bound by the limitations of Rahu Kalam and such other
influences. One can freely commence whatever they wish to do on this day. This day is also
invaluable to the business communities, which start off new businesses and open their annual
books of account.
Other Navratri rituals
Some people undergo rigorous fasts during the
Navratras. Some others, who regularly consume non-
vegetarian food, give it up completely during the
Navratras. Seekers offer prayers for their protection,
good health and happiness. The Navratras is a time
for introspection and purification of the seeker.
Another ritual performed during this festival is that of
the Ghatasthapana or the Kalashsthapana, which
literally means, "installing a pot". The Ghata or the
Kalash is usually embossed with the image of the
Goddess Durga and symbolizes the Universe. This
pot, filled with holy water, is also called the
Purnakumbha and is covered with mango leaves,
placed on top of which is a coconut.
Sometimes, an uninterrupted lamp is lit inside the pot.
Buy this Copper Pot
This symbolizes the effulgent form of the Supreme
KALASH Adi Parashakti.
Legends surrounding Navratri and how it is celebrated around India
As mentioned earlier, Navratri is celebrated in different ways all over the country. All three
Navratris are celebrated with great fervour and devotion in North India. Many people here
undertake fasts on all nine days and spend their entire day in the worship of the Mother
Goddess. The Chaitra Navratri concludes with the Ram Navami and the Sharad Navratri ends
with the fabulous Durga Puja and Dusshera.
There are many and varied legends surrounding Navratri. They are almost as diverse as India
herself. Here are some interesting stories about how the Navratri festival came to be:
Mahisha, the buffalo demon, was blessed with a boon
from the Divine Trinity (Brahma, Vishnu and Shiva) that
no man would ever be able to win against him and kill
him. Empowered by the boon, the egoistic demon
proceeded to attack the heavens and laid siege on the
Devas (Gods). Indra, the King of Devas, approached the
Trinity for help. They jointly created Durga, through
their own Shakti (power). Durga turned out to be a
formidable opponent for Mahisha. She relentlessly
fought him for nine days and, on the tenth day, she
finally managed to behead him. Here, the Vijayadashami
marks the ultimate victory of good over evil.
In places like Delhi and Punjab, people observe the
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Navratras, when they undertake fasts for a period of
seven days. The devotees break their fast on the eighth MAHISHASURAMARDINI DURGA
day and invite young girls home, treating the girls as
manifestations of Durga Mata herself. These girls, called "Kanjak Devis", are offered the
traditional food of "Puri", "Halwa" and "Chana". They are then offered red bangles and
chunnis (veils) to wear, along with some money, known as "Shagun".
Rama's victory against Ravana
Many North Indians also celebrate
Vijayadashami as the day Rama fought and
won against the terrible demon king, Ravana.
It was on this very 10th day after Ashwina,
during the Satyuga, that Dusshera is
celebrated with great fervour in the North.
The name, "Dusshera" is indicative of the ten-
headed demon being vanquished by Lord
Rama ("Dus" in Hindi means "ten" and
"Haran" means "defeat"). Ravana had
abducted Rama's wife, Sita Devi and the
latter, along with his Vanara Sena (army of
monkeys), fought a great ten-day battle
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against the demon king. He finally won and
LORD RAMA BATTLES RAVANA brought home his beloved Sita.
In order to commemorate this day, huge effigies of Ravana are erected in open lawns and
other public places. These giant Ravana dummies are stuffed with fireworks and are shot with
arrows, unitl they blow up in the presence of a large, applauding audience.
Ramlilas are an integral part of Dusshera
celebrations in many parts of North India. The
Ramlila is an enactment of Rama's story and,
indeed, the entire Ramayana epic. Huge pandals
and stages are erected and Ramlila artists are
invited to perform at the event. The Ramlila
starts on the first day of Navratri and is
designed to end exactly on the eve of the
Dusshera. The enactment of the Rama-Ravana
battle takes place on the tenth day, after which,
the effigies of Ravana and those of his brother,
Kumbhakarna and son, Meghanath, are burnt to
ashes. There is also an abhishek (bathing ritual)
of Rama's idol taking place at Ayodhya at the
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Most of the Ramlilas in North India are based
on 16th Century Avadhi versions of the
Ramayana, including Ramacharitamanas given to us by Gosvami Tulsidas. The entire 10-day
function is financed by local Ramlila committees, as also the local community itself. The
Ramlila here is very similar to the other folk theatre form, the Raas Lila, which depicts the
life and times of Lord Krishna.
The Ramlila, which encompasses the Avadh, Braj, Madhubani and Ayodhya traditions, is
popular globally for its diversity and colourful presentation. Some Ramlilas staged in
Lucknow even include Muslim youths playing the lead roles in the epic. This proves that this
festival goes beyond religious and communal boundaries.
In the times of yore, Dusshera was regarded as the start of the war season. According to
legend, Arjuna, one of the Pandavas princes, had gone back to fetch his hidden weapons after
the Pandavas' one-year Agyaat Vaas (living in anonymity). This is how the custom of
worshipping weapons started.
Those living in Eastern India believe in Ma Shakti as
the Ultimate Supreme Being. According to legend,
Daksha (the king of the Himalayas) and his wife,
Menaka, have a lovely daughter by the name of Uma.
The girl adores and worships Shiva right from her
childhood and mentally treats him like her husband.
Pleased with her one-pointed devotion, Shiva comes to
her and wishes to marry her. But Daksha takes one
look at Shiva's ash-smeared, tiger-skin-clad
appearance and is unhappy at his daughter's choice of
groom. Uma gets married to Shiva anyway.
Daksha then conducts a yagna, where he invites
everyone but Shiva. Uma desires to visit her father and
leaves for his abode in spite of Shiva's obvious
displeasure. When she reaches Daksha's palace,
though, her father insults both her and Shiva. Unable
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to bear the insult and hurt, Uma commits Sati by
SHIVA WITH SATI'S CORPSE jumping into a burning pyre.
Shiva is furious when he comes to know Sati died. He visits the site, takes Uma on his
shoulder and dances madly. This angry Tandava (cosmic dance) created an imbalance in
nature, which resulted in the world being on the verge of destruction. Narayana then came
forward as the saviour and used his Chakra (discus) to cut Uma's body into pieces. Those
pieces slipped off Shiva's shoulders and fell in different parts of the world. Narayana then
revived Uma and granted her a new life. The places where the pieces fell are known today as
the "Shakti Piths".
Ever since then, Uma is said to visit her parents' home during the Sharad Ritu, when the
Durga Puja is celebrated.
Navratri celebrations in West Bengal
In West Bengal, the last four days of Sharad Navratri take on a dramatic form. Devotees
conduct the Durga Puja during this time - a festival that is famous all over the world for its
sheer grandeur. Beautifully crafted larger-than-life clay idols of Goddess Durga, killing the
demon Mahisha, are set up in equally huge public pandals, temples and so on.
Various pujas and cultural programmes, including dance and music shows, are performed
during this period. These Durga idols are worshipped for five days and then immersed in the
river on the fifth day.
The Durga Puja is one of the biggest festivals in West Bengal; in fact, it is a festival that
brings crowds of devotees and tourists from many parts of India and abroad. Huge idols of
the Devi are worshipped through the ten days and different manifestations of the Devi are
worshipped each night. The Durga pandals are decorated brightly and the Devi herself is
adorned with the finest silks and jewellery. Prayers, bhajans (singing of hyms) and homas
(fire rituals) are conducted, after which there is also the Annadaan (mass feeding).
In Western India, the festival of Navratri is
celebrated in a unique way, that sets it apart
from all the other regions of the country. The
most important feature of the Navratri here is
the Dandiya Raas, also known as Garba.
Garba is the traditional folk dance of Gujarat,
but it has now become popular all over the
country, with many Raas Pandals being set up
in many parts of the country, during Navratri.
An ornamented pot is placed in the centre,
with a bright diya (lamp) kept inside it.
Womenfolk dance around it in a circle, singing
traditional garba songs. Mother Durga, who is
referred to "Ambe Maa", is worshipped for
joy, prosperity and happiness. Certain schools Buy this Bag
of thought believe that the word, "Garba"
DANDIYA RAAS DEPICTION ON
might have come from "Garbha", which JUTE BAG
means the womb of a woman. In this sense,
the lamp inside the pot represents life within the womb.
The Dandiya Raas is a vibrant, joyous dance that is played with dandiyas or wooden sticks.
The dancers, both male and female, dress up in colourful traditional costumes and spin
around forming patterns, while also dancing to the rhythm of the music. While the men wear
churidar-kurtas or the traditional Gujarati apparel, the women wear colourfully embroidered,
mirror-work ghagra-cholis (flare-skirt-and-blouse sets). The Dandiya Raas is now popular in
almost all Indian cities, especially in Ahmedabad, Vadodra, Surat and Mumbai.
South India too has its own unique way of celebrating Navratri. In Tamil Nadu, women
traditionally display a Kolu, also called Bommai Kolu and Golu. They erect a series of
"padis" or steps in tiers, usually of an odd number (like 3, 5, 7, 9 and so on) and placed
various dolls on them. The women coming to visit the Golu are asked to sing a song or two,
after which they are handed the Prasad, kumkum (vermilion) and haldi (turmeric) sachets,
coconut, betel leaves, flowers and, many times, a small packet of gifts. This is largely a
In the evenings, a Kuthuvilakku (lamp) and is placed in the centre of a kolam (rangoli) drawn
before the Golu. Devotional hyms and bhajans are then sung in praise of the Goddess. After
performing the puja that day, Naivedyam (or food) is offered to the Goddess.
Navratri is celebrated with great pomp and show in Mysore. The whole of the Mysore Palace
is lit up brilliantly during this time. Women exchange haldi-kumkum, coconuts and sweets
here as well.
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MUSICIAN GANESHA DOLL SET
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BUSINESSMAN CLAY DOLL BUSINESSMAN'S WIFE
The arrangement of the Golu dolls
Though there is no hard and fast rules as to the placing of the dolls in a Golu, idols of Gods
and Goddesses and scenes from mythology are predominantly exhibited in a Golu. Usually,
the topmost steps include all the major Devatas, the Dasavatars of Vishnu and so on. The next
steps are dedicated to saints and Gurus from all religions. The lower steps depict various
social functions such as weddings and so on; business activities; families and so on.
Some women use new dolls each year, while others add just a couple of new ones. Some
follow theme Golus, such as portraying just a single story from mythology.
It is necessary to have a pair of wooden dolls in any Golu. They include one male and one
female doll and are called "Marapaachis". Additionally, dolls of a Chettiyar (businessman)
and his wife have to be placed together too. Fruits, vegetables and pulses are also played in
front of the Golu. This is symbolic of the devotee praying for prosperity.
The Golu dolls are then finally "put to sleep" on the tenth day, after a final aarati and
thanksgiving to the Goddess for having successfully completed the Golu. The Golu is
dismantled the very next day and the dolls are neatly packed back into their respective boxes.
The spiritual significance of Navratri
Today, the Navratri festival has lost much of its spiritual
significance and exists merely as a social festival - a
reason for people to get together and spend quality time in
a busy, unrelenting world. What most people do not realize
is that the Navratri festival has a deep spiritual connotation
The festival celebrates Durga, Lakshmi and Saraswati, the
Goddesses of Power, Wealth and Knowledge respectively.
Praying to them gives the seeker all material good and also
the inner strength to triumph against all odds of life and
fight against social evils that plague our society today.
Mahishasura symbolically represents the vast darkness or
Tamas of ego and arrogance within a human being. So do
the other demons like Chanda, Munda, Shumbha and
Nishumbha. These Tamasic forces come in the way of
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higher spiritual development, thereby creating a veritable
DURGA, LAKSHMI AND SARASWATI tussle of good and evil within the mind of the seeker. The
victory of the Devi over these demons represents the
ultimate triumph of the Satvik (good) forces within, finally leading the true seeker towards
moksha or liberation.
Navratri - The common factor that binds Hindus of the world together
No matter how Hindus all over the world celebrate Navratri, there are some common ties that
bind them together. Firstly, Navratri is closely associated with fertility. The Mother Goddess
is likened to Mother Earth, who always feeds and nourishes all her children.
Secondly and more importantly, Navratri is considered to be symbolic of the victory of good
over evil. Sri Rama killed Ravana on this very day. Durga slayed the terrible Mahishasura.
Both these stories reflect the final triumph of the good forces over the evil ones.
That is the most vital implication of the wonderful festival of Navratri. It teaches the seeker
that no matter how tough the going gets, he always stands to win if he sticks on to the path of
This article was written by Saipriya Viswanathan. Saipriya is a teacher/performer of
Bharata Natyam, Carnatic vocal music and Carnatic Veena. She is a recipient of several
awards for both dance and music, including the Sur Mani and Singar Mani titles. She is a
recipient Govt. of India Merit Scholarship for dance and is a diploma holder in Carnatic vocal
Our efforts have been directed at making this article informative and refreshing for you. We
will truly appreciate all forms of feedback. Please send your feedback to
Copyright © 2009, DollsofIndia
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